Music

Structured in accordance with the rules of pictures par example.

Knowing that I may only touch briefly upon any sentiment that may portray how the abduction of the novel ends happily. Deeply I feel for such work only enhances the very sentiment itself - love motifs. Presumed deaths.
It can be all things. it is a work of passion and within itself false accusations. Court trials. Chastity and infidelity.

It contains an infinite potential of thought a passionate person as myself (and you) could ever wish to explore. really, my love. I am biased towards any data you might care to loosen upon the greater world via your fingertips. In days, perhaps weeks, a stanza might arise from me in a similar manner (while enjoying my dearest Mozart piano concertos ) an elongated sentence, a string of memes in the fragile directly conjoined and absolutely unchanged form of separated words - a kindness knowing my voice adds deeper meaning in the inflection. How will i say the word passion without breathing inward? Flowing from me, the desire to touch you with an alien world in adventure-time my similarly passionate love.

Mental pendulous pulsation.

Glowing outwards. radiant circle.

The white expanse of my monitor shimmers and I often cannot bear to cover it with my morphomemesis.

Music - Lets read.

At the peak of his triumph, the culmination of his machinic erections, man confronts the system he built for his own protection and finds it female
and dangerous. (defense is a 2 step process +? - Sadie Plant 1995)
prologue : NN - an artificial garden in perpetual flux.

Let no one enter hier who does not wish to bind together!
Nezvanova + Plato's Academie

For our problem is the living organization and therefore our interest is not the properties of components, but the processes and relation between processes realized through components. + Maturana

The process by which chromosomes condense + segregate during nuclear division - mitosis - can be likened to a symphony in which many instruments working individually are coordinated to produce a collective piece of elegance + beauty.

History is a nightmare.

Autopoiesis is the general pattern of organization common to all living systems. I am the pronoun I.
I signify intent. In this moment in time I signify physical intent - the speed the pronoun I is traveling toward the pronoun you.
Physical pronouns are characterized by speeds of deterritorialisation, differential motions, relations and rates.

Nothing is too wonderful to be true, yet you seek pleasure + not self.

The vectors are meant to converge-through morphogenesis. It is the charting of a fundamental shift away from the millennia old, worn and static rational discourse towards the pleasure of the transient and momentary; towards the allure of a brevity of meaning, the spectral wall of impossibilities, towards the thermophilic envelope of desire which most elegantly unveils the dynamic core of a life form's functional cluster.

Suspended in the undecided and wavering viscosity of reality - digressions, incontestably, are the sun-shine ____ they are the life, the soul of
reading ..

It is autumn. Glowing hues on eye lids.
Memory elongates warm oxygen flowing collisions.
To read __...

In linear systems small changes produce small effects, and large effects are due either to large changes or to a sum of many small changes. In non-linear systems, by contrast, small changes may have dramatic effects because they may be amplified repeatedly by self-reinforcing feedback. Such nonlinear feedback processes are the basis of the instabilities and sudden emergence of new forms of order that are characteristic of self-organization.

Complex, organized sound cannot emerge spontaneously. Whilst elephantine capsules of time are a prerequisite for the exploration of spiral vegetations of an exceedingly vast and complex system, sudden perpendicular junctures resonate smoothed interlaced constellations making thus critical, a concurrence of circumstances towards momentum maintenance and noise propagation.

The planetary tanz

Galileo wrote: ''by way of dialogue , which, as not being bound up in
rigid observance of mathematical laws, gives place, also, to digressions
that are sometimes no less curious then the principal argument''

Reality is too complex for oral communication
alpha 60 . jean luc godard

And Life Appeared

Once upon a time a single-celled organism swallowed a photosynthetic bacterium and created the first plant cell. The bacterium became a chloroplast converting light into energy on behalf of the plant - and the rest is history. Other single-celled organisms just kept on swallowing. single-celled algae swallowed primeval plant cells; these were in turn swallowed by larger single celled organisms creating microscopic russian dolls.

Catalytic cycles are at the core of self-organizing chemical systems such as the chemical clocks studied by Ilya Prigogine, and they also play an essential role in the metabolic functions of living organisms. They are remarkably stable and can persist under a wide range of conditions. With sufficient time and a continuing flow of energy, catalytic cycles tend to interlock to form closed loops in which enzymes produced in one cycle act as catalysts in the subsequent cycle. Manfred Eigen, Nobel Laureate in chemistry and director of the Max Planck Institute for Physical Chemistry has lifed the term 'hypercycles' for those loops in which each link is a catalytic cycle.

Lynn Margulis and Dorion Sagan have said in Microcosmos: ''Multicelled organisms lost the rapid fire external information exchange, quick passed inventiveness and global data sharing of bacteria. Multicelled organisms made contributions to cell-to-cell communication and increased the powers of genetic memory. But, their data was now stuck inside the body.

Most of it would take a billion years to get back out again.''

Ilya Prigogine, Nobel Laureate and professor of physical chemistry at the Free University of Brussels has observed that a breakdown in progress is an illusion. Under the shattered fragments new structures and processes ferment. And from these innovations come fresh wonders.

Memory:

Konsider - learn from the experience of others +
Humans are unable to share that which they know until they can put it into high level symbolic form. More importantly humans are very poor at
updating what they know because they have no efficient delete key.

Human evolution = genetic evolution + cultural evolution.

Biological evolution is slow paced. Cultural evolution is wonderfully faster for it allows much of what humans learn to be passed on and recombined with data other humans have learned via the medium of language.
Just as genes propagate themselves in the gene pool by transmission from body to body via sperm or eggs, so memes propagate themselves in the meme pool by transmission from brain to brain via a process which in the broad sense may be entitled imitation.

N.K.Humphrey wrote : memes should be regarded as living structures not just metaphorically but technically
Memes replikate via the medium of language. music. art. In bit society the principal meme locomotion mechanism has been electronic mail.
In music - it is listening.

Karl A. Menninger has said listening is a magnetic thing, a creative force. the friends who listen to us are the ones we move toward, and we want to sit in their radius. when we are listened to, it creates us, makes unfold and expand.

Strengths appear in previously unimaginable conditions from previously
unknowable futures.

Sensory tentacles - feedback loops are ubiquitous in nature for living things must live.

Their tickings come sonorously to my ears.

Is there a pattern of organization common to all living systems? This is the case.

Music - like biological growth - is non-destructive.
Music - like biological growth - is a quintessential biotechnology for life (i.e. group formation)
Music - like biological growth - is selective.

The macrobody - the human interface machine - invades music's
microbody. It is built from infancy .... and thus everything is improbable.

''The tree is an aerial garden, a botanical migration from the sea, from those earlier plants, the seaweeds; it has a purchase on crumbled rock, on
ground. The human, standing, is only a different upsweep and articulation of cells. How treelike we are, how human the tree.'' Gretel Ehrlich

If one stood still for an elongated time plants would be happy to provide one bio.embrace. It is due to they are undesirous of running away.
This is how Karl Krauss described it:'' The closer the look one takes,
the greater the distance from which it looks back.''

Each garden is an unique environment, generating unique relationships and tracing complex inter relations. Biological growth impinges on and is impinged upon by climate stability causing flux and change. Cause causes effect. Effect affects cause.

Natural, living systems aren't self-enclosed.
The deterioration of equilibrium manifests itself as life. This endowment is a wellspring of poetry.
Music is not a konduktor that with a bzzp.tzzt - wave of the baton ensures each instrument enters the symphony at the proper time - nein + nein. This is a malady.

Music is not a classroom with its rows of desks and one teacher komponent (the synchronizer of the action) speaking at the front of a room - nein.
Music is an ultra sanitary bio.pollination system.
Music facilitates formation of social groups and cooperative action by releasing neurochemical mechanisms of unlearning in near-trance like states with attenuation of the sense of self.

Music is the quintessential biotechnology for group formation.

Rhythmic drumming, chanting, clapping and pirouetting around bonfires to the point of physical and psychological collapse is a moment of change, of stretching forth, of death and rebirth.

Music is a pure form of human technology for crossing the solipsistic gulf. It is wordless, illogical, deeply emotional, and selfless - a quintessential bridge for harmony between brains.

Music as sound appeals to the ear, but the making and appreciation of music involve the entire body through the somatosensory and motor systems of the performer and audience (Clynes 1982)

Music is the substance bringing together participants who shape their movements into a living and evolving unity.
It is akin to a shoal of fish.

The envelope, or boundary, is clearly discernible but continuously changes as the fish (neuronal activity) swim to different locations (different neuroanatomical domains). The fish swim in concert, but each has its own unique trajectory through the water (that is, neuronal activity is coherent but not identical).

Music's natural habitat is the global brain.
As a biogarden - a musical garden - may grow unrestricted, inter-disciplinary and biological boundaries becoming illusory.
As one reality reference foregoes its claim infinite arrays of gardens of infinite species are lifed, as stories within stories, as russian dolls, their beauty arising from the assembled structure, not from seeing each separate doll.
The stories unfold in the way the words play off one another as the
cell courses life.

Yet ....

Plato banned music from his Academy in recognition of its power to degrade rational minds and subvert social order. The Catholic Church in the Middle Ages labeled the rituals "pagan" and suppressed them to maintain political control, opening the way for Apollonian music (Nietzsche 1872), such as Gregorian chants.

Close harmony provided for bonding of a different kind among intellectuals, stripped of its sexual overtones. Syncopation was forbidden. The Devil's Interval was allegedly called that because God and the world could not exist between beats.

The dialectic between Apollo and Dionysus reemerged in the Baroque, and it continues to infuse neu energy through syncopation and atonality in contemporary music, bonding the young generation globally, to the exclusion of older generations.

Yet ....
Africans brought to the Caribbean and South America in slavery were allowed to keep their drums and songs in religious ceremonies. Africans brought to North America were denied use of drums after the Stono slave rebellion in South Carolina in 1740, because the slave masters were frightened by a mode of communication that was beyond their meager understanding (Wilson 1992)

At the peak of his triumph, the culmination of his machinic erections, man confronts the system he built for his own protection and finds it female and dangerous.(defense is a 2 step process +? - Sadie Plant 1995)

Plants do not escape predators by running away. Plant defense is a 2 step process. If the first-challenged cells fail to recognize and destroy the viral RNA, they send a warning message to uninfected cells of their imminent invasion, so that these cells may have their degradation machinery prepared.

Temporal micro-bonds and micro-climates formed, mutations migrate and transform freely

Maja Kuzmanovic has said her GroWorld:
Perhaps we might invert the two worlds: instead of pushing reality into virtuality, we allow the virtual worlds to diffuse into the three-dimensional physical existence. Marcos Novak labeled this occurrence 'eversion'. What happens when we enter in such an 'everted' space and infect it with the movements of our bodies? Space grows, mutates and decays, following some hybrid laws of actualized imagination.

Aldous Huxley suggested that we are in a race between education and disaster, and he wrote continuously about the necessity of our understanding the politics and 'epistemology of media'. For in the end, he was trying to tell us that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.

The inward turning of the worker kontrasts the outward turning of the
dancer.

It is the speed of slow and soft transients. It is the speed of low gravitational force. Within the weaker field of gravitation data flows lose sense of direction, circumambulating, formulating endless arrays of incomplete links and transformations. Pure fact and distilled knowledge rarely synthesize into any form of recognizable structure, and are left unstable and undesired.
Outside of the physical hyperbola the data trajectory takes the form of flight and infinite divergence. Frantic speeds send information and potential in infinite directions, distributing infinite forms of data in infinite formats, obliterating hierarchies and passing through space in a smooth flow of incomprehensibility. Unformed protocols and constructs emerge, processing and self-reproducing -- decays, reformations, transmutations, infinite re-representations of the infinite potential.

Sound is accumulative, not unlike life, which may be reduced into a series of images. Sound itself is a signifier of movement, of distances covered, of territories explored. In the 21st century, immense territories amount to nothing. Today, everything is about speed and real time.

To the far left information moves so freely it is practically frozen in time.
We are no longer concerned with real space; thus not only the crisis of physicality but also the shift towards the emergence and dominance of chronostrategy ^*. To further obfuscate the portly physicality - without a physicality to place a referential motion upon, abstract sound is outside our experience of time. We may only comprehend an extramusicality when sensing a physical source. Opaque audible events tear at our intellect, dispersing the topologies of intuition into incoherent masses. As the mappings shift, no longer do we rely upon empirical experience. The auricular world moving out from the body, becomes its own offspring. Alongside it, we attempt to maintain an invariable distance.

The interface becomes the relationship between our selves and the
world - the chemical memetical processes through which information flows through our artificial gardens, participating in non physical contact, the relationship between technology and biology becomes the relationship between the environment's inhabitants and the inhabitants' environment.

It isn't a question of heroism but of flow.

.. flows breach the boundaries between man and machine, introducing systems of control whose complexity overwhelms the human masters of history.

Secreted in culture, its future begins to come up on the screen, downloaded virally into a present still striving , with increasing desperation, to live in the past. Sadie Plant, Beyond the Screens

Nature has distorted me into fantastic curves of vines and branches.

Pure fact and distilled knowledge rarely synthesize into any form of
recognizable structure.

You - the undivided divinity operating within 'you' have dreamt the world. You have dreamt it as firm. Mysterious. Visible. Ubiquitous in space and durable in time; however in its architecture you have allowed tenuous and external crevices of unreason which tell 'me' it is false.

Two entangled photons. One fibre-optic cable. One photon is altered. The time required for the other to respond is measured.
Speed of conversation: minimum of 1,500 times the speed of light. The two photons are, according to quantum mechanics, so entangled with each other that one reacts instantaneously to the other as though they were one single entity.
Sound is anisotropic, exhibiting properties with different values when measured in different directions.

Space takes place: entangling itself in materiality, relation and signification.
Being creative is a highly personalized process in which a person searches for original and novel ways of thinking and doing.

I live in a monstrous gazebo of living birds intertangled

The network is our bodies.

Our bodies are the borders of our understanding.

The universes are the body.

It is refracted by theorems, axioms and rules impregnating the space
between us. It is a live architecture occupied by flashing fireflies and glued
with shrinking skrews. It is a memevirus divulging its secrets into the supersymmetric mindscape sectors.

Coexistence depends on the nonlinearity of the species-specific growth functions and on the lack of system equilibrium.
Molecular manipulation will not create memory links. These have to come from experience -- sensed events integrated into new patterns of representation within the brain. ,into an infinite abacus of fugue matrices. Clarity and passionate complexity.

when the sign loses its meaning, when it loses all possible meanings, then it becomes pure sign, naked sign, abstract sign, it enters deeper still into calculation, into mathematics, into money, (...) the number becomes a letter, the letter itself is a symbol, the information, the software undifferentiates itself, as if it were slowly entering its own faculty, its own nakedness (Serres 1995).

Water is the perfect social pleasure. We can't all share the brute act of liquid consumption, but we surely can all share the ineffable pleasure of watching ice melt.

- melting in a tide of red ink
though often called an illusion - i am true.

An audience - you - expresses appreciation for a good performance by the strength and nature of its applause. The thunder of applause at the start often turns quite suddenly into synchronized clapping. The phenomenon is a delightful expression of social self-organisation that provides an example on a human scale of the synchronization processes that occur in numerous natural systems ranging from flashing asian fireflies to oscillating chemical reactions. Here we explain the dynamics of this rhythmic applause :

^*

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