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Mediamatic Magazine Vol. 1#3

  • Mediamatic Magazine Vol. 1#2

    Advertorial

    Video art should be watched in the living room. It's made for televisions, and televisions are made for living rooms. By this we don't ...

  • Mediamatic Magazine Vol. 1#3

    The primal Code

    Simon Biggs –

    Simon Biggs chose at the Den Haag and Bonn video festivals (both held during September 1986) a number of tapes and one performance, ...

  • Mediamatic Magazine Vol. 1#3

    Song of Songs

    Pim Jonker –

    During the last two weeks of September artists who have extended elements of their work into performances made presentations in the ...

  • Mediamatic Magazine Vol. 1#3

    Das Rheingold

    Gerard Lakke –

    Frank en Koen Theys are staging a Wagner's Ring des Nibelungen by video: Lied van mijn land (song of my soil/ chant of my country/ ...

  • Mediamatic Magazine Vol. 1#3

    Untitled

    Karin Wortelboer

  • Mediamatic Magazine Vol. 1#3

    Plato's Bondage

    Lidewijde de Smet –

    At the last World Wide Video festival the Amsterdam artist Kees De Groot (1965), together with Frank Morssinkhof presented De Vrouw van ...

  • Mediamatic Magazine vol. 1 #3

    No subsidy? No Problem!

    Max Bruinsma –

    Dear artists, dear friends began a letter sent to the Canadian media magazine Video Guide by the video artist Servaas from Hoorn. The ...

  • Mediamatic Magazine Vol. 1#3

    Travel in Light

    Marie-Adèle Rajandream –

    Travelling evokes numerous thoughts and feelings: often exciting because one is facing the unknown, because one thinks about the new ...

  • Mediamatic Magazine Vol. 1#3

    De Transfiguratie

    Kees de Groot

  • Mediamatic Magazine Vol. 1#3

    Touch Screen Video

    Willem Velthoven –

    Video art costs time. Thus, it's more frequently presented in other situations than non- time based art forms, for instance: in cinema ...

  • Mediamatic Magazine Vol. 1#3

    Videonale Bonn

    Friedemann Malsch –

    The Bonn Videonal is a biannual videofestival that took place for the second time last fall. Friedemann Malsch describes the set-up of ...