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  •  Mediamatic Magazine
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  • Image:

    2#3

    Vidéothèque de Paris robot

  • Television
  • Cinema
  • New Cultural networks

    publication Stifo @Sandberg Masterclass

    INTRODUCTION STIFO@SANDBERG BOOK By Mieke Gerritzen and Ingrid van Tol The Stifo@Sandberg master class is an annually recurring workshop that tracks, fosters and deploys digital developments in the...

  • CD-ROMs are Fun

    An interview with the directors of ‘V.O.L.V.O /Airbag CD-ROM’

    This CD-ROM is a transformation of an exhibition promoting Dutch new media artists (musical, time-based, computer-based art) from 1996. These artist are also the friends of the ‘V.O.L.V.O/ Airbag CD

  • Mediamatic Magazine 0#0

    December 1985

    Since Nam June Paik invented Video Art in the beginning of the sixties, more and more artists have made use of electronic media. Until about 1975 often as an extension of the conceptual and...

  • Mediamatic Magazine Vol. 0#0 Lidewijn Reckman 1 Dec 1985

    Good Boy/Bad Boy

    Penetrating the essence of (spoken) language

    During the World Wide Video Festival, which took place last September in The Hague, Bruce Nauman's recent video work Good boy/bad boy , was shown. This work incorporates so many features of his...

  • Mediamatic Off-Line Vol. 11#1

    Mediamatic Screen 1-12 - December 2001

    Mediamatic had nine artists think up a projection for the façade of the Mediamatic Supermarkt building.

  • Book: Arjen Mulder 1 Jan 1996

    Het Twintigste-Eeuwse Lichaam

  • Mediamatic Magazine Vol. 6#2/3 Bert Mulder 1 Jan 1991

    Media, Information & Me

    Difference

    Bert Mulder is a pioneer in computer-supported cooperative work. He works at Veronica Broadcasting Company and is currently learning Chinese in order to read Confucius.

  • Mediamatic Magazine Vol.1#1 Tony Morgan 1 Jan 1986

    The Media Explosive Years 1960- 1980

    Autobiographical research into the meaning of media/medium.

    At the beginning of the sixties I believe that many artists and poets who would have become painters in another decade, moved towards performance, video, photography and a very anti-museum quasi

  • Mediamatic Magazine Vol. 2#2 Walter Schneemann 1 Jan 1987

    Desire and Television Autism

    In the early days of video, discussions centered on the dichotomy video-television and judging from the number of exhibitions, conferences and symposiums devoted to the subject, this dichotomy is...

  • Mediamatic Magazine Vol. 1#3 1 Jan 1987

    Advertorial

    Video art should be watched in the living room. It's made for televisions, and televisions are made for living rooms. By this we don't mean that it should be broadcasted by one of the networks. That...

  • Report: What's Up #27: 'ik wil een film maken die…

    6 april 2010

    What's Up gaat vanavond helemaal over special effects. Jörgen Tjon a Fong ondervraagt regisseur Tim Smit, Vincent Lammers en Kyle Obley van The Ambassadors en Rogier Samuels en Xander Forterie van...

  • CueMark #1

    part of ABELmash: Annotation Based eLearning & mashups

    CueMark is a 2.0 streaming video&audio annotation tool for films, documentaries, television programmes, concerts and performances. It’s specially designed for the contextualization and analyses of...

  • Streetlab

    Op de hoogte blijven van de activiteiten van Streetlab? Klik hier om je aan te melden voor de nieuwsbrief! Streetlab organiseert sinds 2005 performances, shows en exposities van jonge streetfashion...

  • Mediamatic Magazine 1#1

    May 1986

  • Mediamatic Magazine Vol. 0#0 Servaas Schoone 1 Jan 1985

    The New TV

    Emotional television for the future.

    We are daily being attacked by TV images and sounds, and, most of all, by their monotony. TV is dull because image and sound give their messages at the same time. This has to be overcome by fantasy.

  • Mediamatic Magazine Vol.1#1 Willem Velthoven 22 Feb 1986

    To Talk Back or to Talk With

    Interview with Dara Birnbaum

    At the end of 1985 the American artist Dara Birnbaum was in the Netherlands for a contribution to the Talking Back to the Media festival which took place in November. Birnbaum's early video-works are...

  • Mediamatic Magazine vol. 1 #3 1 Jan 1987

    No subsidy? No Problem!

    Dear artists, dear friends began a letter sent to the Canadian media magazine Video Guide by the video artist SERVAAS from Hoorn. The letter was an appeal for his foreign colleagues to send telegrams...

  • Book: Martin Stingelin, Wolfgang Scherer 1 Jan 1991

    HardWar/SoftWar Krieg und Medien

  • Milev

    Video in Osteuropa

    Rossen Milev, editor-in-chief of the Sofia-based English-language magazine Balkan Media, wrote a book in German on the role of television during Bulgaria's transitional period between 1989 and 1991.

  • Project: Carina van Kraay, Amal Alhaag

    Metro54

    innovative urban arts & culture

    Metro54 organiseert multidisciplinaire events die de nieuwste ontwikkelingen laten zien binnen de muziek, taal, lifestyle en kunst uit de (Europese) stedelijke jongerencultuur. Metro54 gaat...

  • The Red Dot

    During the opening of the Amsterdam art fair Mediamatic presented its first Red Dot to the Dutch artist Arthur Kleinjan for his short video work Skipping.

  • Mediamatic Magazine Vol. 1#3 Willem Velthoven 1 Jan 1987

    Touch Screen Video

    Video art costs time. Thus, it's more frequently presented in other situations than non- time based art forms, for instance: in cinema or theatrical setting. This article is seeking alternatives that...

  • Mediamatic Magazine 3#2 Ken Feingold 1 Jan 1988

    Notes on the Distribution of Video Art

    Double Cassette Mechanism! High Speed Dubbing!

    During this year's World Wide Video Festival a conference was held to discuss the distribution of video art. Speakers were: KATHY RAE HUFFMAN (CAT FUND Boston), ROBIN O'HARA (THE KITCHEN New York...

  • Video and Architecture

    Simong Biggs discusses the complex relation between television and architecture on the basis of three video works.

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