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  • Mediamatic Magazine Vol.7#1 Paul Groot 1 Jan 1992

    Famous Artists School, Famous Writer Tool

    or: the hankering after a configurated system for the Apple and other rhetorical reflections

    In Mediamatic 6#1, Paul Groot reported on his first experiences with a word processor and his struggle with the McHugh. As a sequel to these first impressions, he will review here MicroSoft's Word5...
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  • Mediamatic Magazine Vol.7#1 Jules Marshall 1 Jan 1992

    A Network of Relationships

    Having a computer on your desk and no modem is like using the Ferrari in your garage only to sit in and listen to the stereo, I once read somewhere. A pc connected to the phone network now has an...
  • Mediamatic Magazine Vol. 6#2/3 Bert Mulder 1 Jan 1991

    Media, Information & Me

    Difference

    Bert Mulder is a pioneer in computer-supported cooperative work. He works at Veronica Broadcasting Company and is currently learning Chinese in order to read Confucius.
  • Mediamatic Magazine vol. 8#2/3 Paul Groot 1 Jan 1995

    From Home to Home: the Escape Route

    Come with me, take me home! I have no home. Fix your typewriter. If you fix your typewriter you'll have your home.
  • Book: Brenda Laurel 10 Sep 1993

    Computers as Theatre

    This book presents a new theory of human-computer activity. Building on Aristotle's analysis of the form and structure of drama, Laurel shows how similiar principles can help us understand what...
  • Mediamatic Magazine Vol. 8#1 Paul Groot 1 Jan 1994

    The Satanic Verses as a Minimal Movie

    Pentiums, PowerPC chips and cd-roms have become the stars of the multimedia spectacle. But what if all you have is a Macintosh PowerBook 145, black-and-white, and still want to take part in this new...
  • 1 Jan 2003

    The Korsakow System has a new Interface

    We are proud to present the Korsakow system version 2.3.

    Instead of stills it is now possible to have preview movies.

  • Mediamatic Atelier

    2004

    In the Mediamatic Atelier we research and develop different types of hard- and software, including (interactive) installations like the IkCam . Since 2006 we've been focusing on integrating RFID...

  • Mediamatic T-Shirts

    responsible and comfortable

    Buy now with Paypal or mail [at] mediamatic.net or call +31 20 638 9901.
  • Mediamatic Off-Line Vol. 11#2 Paul Groot

    Untitled

    Mieke Gerritzen

    Our public spaces are subordinate to an increasingly unequivocal picture. The torrents of present-day traffic - those of speedy car drivers to those of hurried air passengers - particularly require...

  • Mediamatic Magazine 8#2/3

    spring 1995

    Home Issue: Home @ Last This issue contains a collection of strange pictures: visualisations of spaces in MediaMOO.
  • Book: Arjen Mulder 1 Jan 1996

    Het Twintigste-Eeuwse Lichaam

  • Layout codes in Anymeta for editors

    Tips and tricks especially for Mediamatic editors

    This list is a bit more extensive than the Layout codes for users . For instance, read here how to make links within the Mediamatic website or within a page, and learn about extra headings, tabels
  • Mediamatic Magazine Vol. 8#4 Willem Velthoven 1 Jan 1996

    vol. 8#4 The Religion Issue

    Editorial: Are People the Gods of the Algorithms?

    The word avatar does not occur in this issue of Mediamatic.
  • Mediamatic Magazine Vol. 8#4 R.K. Joshi 1 Jan 1996

    The Religious World of Letterforms

    Various writing systems either pictographic, alphabetic or syllabic in nature, developed in different parts of the world over different time-frames, have been associated with the spoken or written...
  • Maurice Nio 1 Jan 2002

    Infect the Soft

    What is really wrong with euclidic geometry? Which objections can really be lodged against integers, straight lines and orthogonal structures? Why are mechanical and mechanistic principles put in the...
  • 1 Jan 2004

    Interactive Children's Film Workshop

    A Korsakow workshop in Oulu, Finland, from the 12th till the 17th of November 2004.

    Interactive story structures change the way how to tell and to experience stories.But how? In interactive storytelling, filmmakers can no longer only regard themselves as the creator of a story, but...
  • Paul Groot 1 Jan 2002

    Click, Bang

    Art is a shock

    Interactivity was the most dangerous sign of the last decade.

  • Media layout tutorial

    Here are a few tips and tricks to make your contribution even more appealing for visitors of this website.
  • Mediamatic Magazine Vol. 8#1 Geert Lovink 1 Jan 1994

    Heidegger On-Line

    Interview with Michael Heim

    Michael Heim has been called the 'philosopher of cyberspace'. Translator of Heidegger and author of 'Electric Language, A Philosophical Study in Word Processing', he has organized various American...
  • Mediamatic Magazine Vol. 7#3/4 Paul Groot 1 Jan 1994

    Paul Perry, Artist at the Side of God and Triple P

    No artistic profession has been courted more intensively by advertising in preceding decades as that of visual artist. The literary world of the sixties was startled by the huge demand for...

  • The Browser Is Dead; Long Live the Browser

    The myth of the graphical browser is that it can be used universally. This browser and no other brings the Web home to you as it's meant to be. But the Web has gotten big and meets a variety of needs...
  • Mediamatic Magazine Vol. 7#2 Arthur Kroker, Marilouise Kroker 1 Jan 1993

    Excremental TV

    Excremental tv: Sacrificial tv, Disciplinary tv, Surveillance-tv, Crash-tv.

    We live today in the age of excremental tv. No longer tv under the old sociological sign of accumulation with its coherent division of tv-aesthetics into strategy (official culture) and tactics...
  • Mediamatic Magazine Vol.7#1 Arjen Mulder, Dirk Van Weelden 1 Jan 1992

    Introduction to Static Literature

    Modern information society exists by the grace of durably preserved, easily movable data; correspondingly, accuracy of notation and precise coordinates of storage are of the greatest importance.

  • Spinoza

    Superster uit de gouden eeuw

    Er bestaat slechts één substantie, met één en dezelfde natuur Wie vrij is schrijft zichzelf de wet voor Het doel van de staat is de vrijheid

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