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  •  Mediamatic Magazine
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  • Mediamatic Magazine 2#4 Philip Hayward 1 jan 1988

    The Moonlighting Story

    Hoe ABC culturele logica kapitaliseerde

    Dankzij het ontwikkelen van een televisieserie vol met gedurfde precedenten binnen mainstream televisie, is de Amerikaanse romantische politieshow Moonlighting een van de meest toonaangevende...
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  • Mediamatic Magazine 3#4 Willem Velthoven 1 jan 1989

    In Memoriam Videokunst

    An Instructive Exhibition

    Video Art has passed on. It will be laid to rest in the next few months by the Cardinal of the West German faithful, DR. WULF HERZOGENRATH, assisted by that relative novice DR. EDITH DECKER. The...
  • 1 jan 2005

    What are the Issues Covered

    @ the Interactive Narration Workshops?

    In each Workshop we view the Possibilities and Difficulties surrounding Interactive Narration from the Perspective of the Participants' Discipline.

  • Instant Cinema

    een online community rond experimentele film

    Dit project heeft inmiddels subisidie gekregen van de Mondriaan Stichting In november 2008, tijdens de eerste editie van Kom Je Ook?, pitchten wij een idee voor een web 2.0-project. Als één van de...

  • CueMark #1

    part of ABELmash: Annotation Based eLearning & mashups

    CueMark is a 2.0 streaming video&audio annotation tool for films, documentaries, television programmes, concerts and performances. It’s specially designed for the contextualization and analyses of...
  • Mediamatic Magazine 3#4 Christian Unverzagt 1 jan 1989

    Heading on Time

    Museological strategies lust after time. It is arranged in a chronology, conserved so as to return as timeless, arbitrary signs. In the following article, the past no longer falls victim to a...
  • Mediamatic Magazine 3#4 Richard Wright 1 jan 1989

    Videographics and Allegorical Knowledge

    The Epistemology of Leonardo

    The past is the best alibi for the present. The present proves itself by means of the past. In addition, the past imbues current hyper advanced projects with cultural cachet, with a familiar face

  • In Memoriam Videokunst

    An Instructive Exhibition

    Video Art has passed on. It will be laid to rest in the next few months by the Cardinal of the West German faithful, DR. WULF HERZOGENRATH, assisted by that relative novice DR. EDITH DECKER. The...
  • Mediamatic Magazine Vol. 2#4 Preikschat, Wolfgang 1 jan 1988

    Identitei/ä/y/ tsnomadism /e/us

    Tirade

    After a three-day conference, the Marler Videokunstpreis will be awarded on June 5th to BETTINA GRUBER and MARIA VEDDER for their new production Der Herzschlag des Anubis . As a member of the...
  • Mediamatic Magazine Vol. 2#2 Walter Schneemann 1 jan 1987

    Verlangen en Televisie-Autisme

    De dichotomie video - televisie was hét centrale punt van discussie in de beginjaren van de videokunst. Te oordelen naar het aantal exposities, conferenties en symposia dat aan dit onderwerp gewijd...

  • It makes death look okay!

    3D at the Ik R.I.P. opening

    3D paid a visit to the Ik R.I.P. opening. See what he experienced. Review taken from the 3D List: Week # 21 Subscribe for this weekly email service at sos.kunst [at] gmail.com
  • Mediamatic Magazine 3#2 Anna Abrahams, Jan Frederik Groot 1 jan 1988

    De Camera als Dictafoon

    GEORGE KUCHAR was born on 8mm, his aunt had lent him her camera for the occasion. His film career only really started, however, some time later, when he was twelve years old. In 1955 he made a film...
  • A Biennale Interview

    The idea of interaction

    Conversation with the curators of the Leeds pavilion

    Jon Wakeman, Karen Watson and Megan Smith explain what they are presenting in the Amsterdam Biennale 2009. The Leeds pavilion “I Am Leeds” opened Saturday 12 December together with Nicosia, Tehran
  • Mediamatic Magazine Vol. 0#0 Lidewijn Reckman 1 dec 1985

    Good Boy/Bad Boy

    Tijdens het World Wide Video Festival, dat september jl. weer plaatsvond in Den Haag, was een recent video-werk te zien van Bruce Nauman, getiteld Good boy/bad boy . Een werk dat zoveel kenmerken van...
  • Mediamatic Magazine 2#4 Alfred Birnbaum 1 jan 1988

    Remembering an art of memory

    The third Bonn Videonale, to be held in september, will feature a special Japan program. Japan, the Land of Video or is it Alfred Birnbaum, video artist and editor of this year's Tokyo edition of...
  • Mediamatic Magazine 3#2 Glenn O'brien 1 jan 1988

    Dommelsch Is Really Gonna Make It

    When I think about the possibility today of what used to be called an art movement, I think about what ROB SCHOLTE calls Business Art.

  • Stichting DOEN

    Wat doet de DOEN pitch op Kom je ook? en wat heb je er aan?

    Het kunst- en cultuurpubliek verandert. Het publiek voor de traditionele kunst vergrijst en een potentieel nieuw publiek voelt zich niet altijd aangetrokken tot de instellingen die kunst op...

  • GM Collector

    Gespreksaantekeningen van een interview met Steven Kolsteren, hoofd educatie Groninger Museum.

    In December 2010 introduceerde het Groninger Museum zijn GM Collector, een sleutelhanger waarmee je tijdens je bezoek je persoonlijke verzameling kunt samenstellen, opslaan en ‘mee naar huis kunt...
  • Mediamatic Magazine 3#4 Steven Bode 1 jan 1989

    The Apple of Your Eye

    In the Beginning - by which, of course, we mean the beginning of the '80s - avant-garde film looked out on the world with an austere gaze: clear, unstinting, unblinking, committed to the shibboleths...
  • Mediamatic Magazine 3#2 Marie-Adèle Rajandream 1 jan 1988

    Work to Watch

    Giny Vos (Rotterdam 1959) graduated this summer from the RIETVELD ACADEMIE in Amsterdam. She has become known for a number of large-scale conceptual works.
  • Mediamatic Magazine 2#4 Simon Biggs 1 jan 1988

    The Best Laid Schemes of Mice and Men

    A recent retrospective of the work of GRAHAM YOUNG at the INSTITUTE OF CON TEMPORARY ART, London, allows the opportunity to see the completed cycle of six video's which belong to the series Accidents...

  • New Cultural networks

    publication Stifo @Sandberg Masterclass

    INTRODUCTION STIFO@SANDBERG BOOK By Mieke Gerritzen and Ingrid van Tol The Stifo@Sandberg master class is an annually recurring workshop that tracks, fosters and deploys digital developments in the...

  • Any Media Workshop @ IDFA 08

    21 | 22 | 23 | 24 | 25 November 2008

    The first workshop day started off with a keynote-lecture by Cassian Harrison about his work with the BBC-series "Britain from Above". The 5-part TV-series uses GPS-data to visualize daily life in...
  • Mediamatic Magazine 3#4 Stefaan Decostere, Chris Dercon, john wyver 1 jan 1989

    The New Museum

    script for a television program

    The six sequences published here have been taken from a script consisting of 19 sequences, they were written during the second half of 1988 by Stefaan Decostere and Chris Dercon, translated and...
  • Mediamatic Magazine 3#2 Preikschat, Wolfgang 1 jan 1988

    Maria Vedder in Museum Ludwig Klaus vom Bruch in…

    The critic who is used to looking thoughtfully out of the window during train journeys, will currently meet an astonishing number of works of the familiar rectangular format. Travelling from city to...

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