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  • Geert Lovink

    Research Professor (lector) of Interactive Media at the Hogeschool van Amsterdam (HvA) and founder of the Institute of Network Cultures at HvA. Professor of Media Theory at the European Graduate...
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  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Müller-Pohle

    Andreas Müller-Pohle, European Photography Vilém Flusser Issue, European Photography, Göttingen 1992

    The fiftieth issue of this West German periodical is devoted to the philosopher Vilém Flusser, who died in an automobile accident in November 1991. Until now, Flusser's writings have been known only...
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Fleck

    Robert Fleck, On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World, Walter König bookshop, Köln 1992

    The catalogue of the Peter Weibel's interactive computer installation in the Tanja Grunert gallery in Cologne (June to August, 1992) contains a number of interesting pieces.
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Bolz

    Norbert Bolz, Chaos und Simulation, W. Fink Verlag 1992

    Die Welt als Chaos und als Simulation is the third book in a series by German media philosopher Norbert Bolz.
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Durlach

    Nathaniel Durlach, Presence: Teleoperators and Virtual Environments, Routledge, London 1992

    Presence aims to become the professional magazine of hard-core interface designers. //The operator's performance, experience and sense of presence in teleoperator and virtual environments depend...
  • Mediamatic Magazine Vol. 6#4 Geert Lovink 1 Jan 1992

    Stingelin, Scherer

    Martin Stingelin & Wolfgang Scherer, HardWar/SoftWar Krieg und Medien, Fink München 1991

    HardWar/SoftWar is the third volume containing the results of a study by the Kassel project Literature and Media Analysis (for a review of parts I and II see Mediamatic 6#1 ). After writing about the...
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Rucker, Sirius, Mu

    Rudy Rucker, R.U. Sirius & queen Mu, Mondo 2000 A user's guide to the new guide, HarperCollins, New York 1992

    For fans who have read their old issues of Mondo 2000 to pieces, now there is a definitive Mondo book. The user guide is a small miracle of creative cut-and-paste work.
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Rötzer, Weibel

    Florian Rötzer & Peter Weibel, Strategien de Scheins Kunst Computer Medien, Klaus Boer Verlag, München 1991

    This collection might be called a good sequel to Rötzer's Digitaler Schein (see Mediamatic 6#4). Strategien des Scheins contains edited lectures from the congress held on the occasion of the opening...
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Wetzel

    Michael Wetzel, Die Enden des Buches oder die Wiederkehr der Schrift, Acta Humaniora Weinheim 1991

    For a number of years, Michael Wetzel was coordinator of the (now closed) Kassel research project Metadisciplinary Literature Analysis. In this capacity, he is well-informed on the state of affairs...
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Woolley

    Benjamin Woolley, Virtual Worlds: A Journey in Hype and Hyperreality, Oxford UK & Cambridge USA 1992

    Those who are made physically ill by hippies like Leary, Lanier and Barlow, who are interested in virtual reality but want to keep a cool head, can now turn to the civilized Benjamin Woolley.
  • Mediamatic Magazine vol. 8#2/3 Geert Lovink 1 Jan 1995

    An Anecdoted Archive from the Cold War

    Interview with George Legrady

    George Legrady recently won one of the three 'New Voices, New Visions' prizes for his cd-rom, An Anecdoted Archive from the Cold War , in a competition sponsored by Interval Research Corporation, the...
  • Mediamatic Magazine 8#2/3 Geert Lovink 1 Jan 1995

    Baudrillard

    Jean Baudrillard, L'illusion de la fin, Édition Galilée, Paris 1992

    Dietmar Kamper says in an interview with Rudolf Maresch: Jean Baudrillard is an extremely conservative thinker who certainly does not betray the ideals of the bourgeois revolution. He observes with...
  • Mediamatic Magazine Vol. 8#2/3 Geert Lovink 1 Jan 1995

    Giesecke

    Martin Giesecke, Der Buchdruck in der frühen Neuzeit, Suhrkamp Verlag, Frankfurt 1991

    The emergence of the 'new media' quite naturally makes one think of the invention of typography. Books and new media are currently seen as natural enemies, each out for the blood of the other. Until...
  • Mediamatic Magazine Vol. 7#1 Geert Lovink 1 Jan 1992

    Benedikt

    Michael Benedikt, Cyberspace MIT Press Boston MA 1991

    If you've already implanted cyberpunk sci-fi in your imagination, taken in a few articles and documentaries on Virtual Reality, maybe even had the goggles and datagloves on, you can now move on to...
  • Mediamatic Magazine Vol. 7#2 Geert Lovink 1 Jan 1993

    Günther Walraff in Transylvania

    German journalist, activist and master of metamorphosis Günther Walraff revealed to Mediamatic the details of a project that foundered recently. Walraff was to live under cover in Ceausescu's Rumania
  • Mediamatic Magazine Vol. 6#4 Geert Lovink 1 Jan 1992

    The Theory of Mixing

    an inventory of free radio techniques in Amsterdam

    An extensive underground radio culture exists in Amsterdam, beyond the reach of art or commerce, a culture which strives to make idiosyncratic media connections. Geert Lovink surveys the free ether.
  • Mediamatic Magazine Vol. 8#1 Geert Lovink 1 Jan 1994

    Heim

    Michael Heim, The Metaphysics of Virtual Reality, Oxford University Press, New York 1993

    Michael Heim, author of Electric Language, A Philosophical Study in Word Processing (1987), is now known as the 'philosopher of cyberspace'. He has organised various conferences about virtual reality...
  • Mediamatic Magazine Vol. 8#1 Geert Lovink 1 Jan 1994

    Ostranenie

    Catalogue of the 1. international video festival at the Bauhaus, Dessau,

    Viktor Sklovski writes in his essay Art as Process (1916): //The aim of art is to convey a sense of the object, to make us see it, not to re-cognize it. The process of art is the process of...
  • Mediamatic Magazine Vol. 7#3/4 Geert Lovink 1 Jan 1994

    Kroker

    Arthur Kroker, Spasm: Virtual Reality, Android Music and Electric Flesh, New world Perspectives, Montréal 1993

    Bruce Sterling remarks with surprise in his foreword to Spasm that Arthur Kroker's theories aren't pure nonsense; all those speculations and word games actually mean something.
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