Sung Hwan Kim

12 sep 2008
26 okt 2008

At Witte de With, Kim will show Summer Days in Keijo– written in 1937 (2007), one of the highlights of the 5th Berlin Biennale earlier this year, as well as works from his In the Room series (2006/07) including installation versions of the videos Dog Video, From the Commanding Heights…, and Drawing Video (scary stories).

In his practice, Sung Hwan Kim integrates video and performance art, taking on the role of director, editor, performer, composer, narrator and poet. By approaching his own work from all production angles, his pieces are infused with his own highly subjective vision. His videos and performances seldom tell a linear story. His dream-like films depart from a straight-forward story, the scenes shift almost illogically with strong cuts, whilst maintaining an overall narrative and aesthetic coherence.

The In the Room series was created during Kim’s residence in Amsterdam and was partly produced for his participation in the Prix de Rome. The series offers insight into some of Kim’s working methods. As the title indicates, he mixes scenes and stories taken from his immediate environment. To Kim, every situation offers useful material and he does not search for certain props or characters, but works with what surrounds him. He “collects” his environment through the materials, objects and the people he encounters, combining all these elements in his films.

In the videos Dog Video (2006) and From the Commanding Heights… (2007), Kim creates bizarre stories mixing them with quotidian events, gossip and history, so that the account feels unreal yet entirely believable. For this exhibition, /From the Commanding Heights… will be expanded into an installation including Dog Video//, along with a wall drawing of chimerical images, provoked by the textual elements of the video. Parts of this drawing are from the live drawings that Kim made during his performance Pushing against the air, performed for Prix de Rome.

Curated by Eva Huttenlauch and Nicolaus Schafhausen