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  • Paul Groot 1 Jan 2002

    Click, Bang

    Art is a shock

    Interactivity was the most dangerous sign of the last decade.

  • Interaction
  • Style
  • Stupidity
  • Computer
  • Design
  • Net art
  • Communication
  • Mediamatic Magazine Vol. 7#3/4 Paul Groot 1 Jan 1994

    Paul Perry, Artist at the Side of God and Triple P

    No artistic profession has been courted more intensively by advertising in preceding decades as that of visual artist. The literary world of the sixties was startled by the huge demand for...

  • Mediamatic Magazine Vol.7#1 Paul Groot 1 Jan 1992

    Famous Artists School, Famous Writer Tool

    or: the hankering after a configurated system for the Apple and other rhetorical reflections

    In Mediamatic 6#1, Paul Groot reported on his first experiences with a word processor and his struggle with the McHugh. As a sequel to these first impressions, he will review here MicroSoft's Word5...

  • Paul Groot 1 Jan 2002

    Reading ...

    The image of an open laptop on its side, plus a logo of a recycling bin, form Henk Boverhoff's contribution to the exhibition 'Is reading becoming as classical as listening to Jazz? The dreadful...

  • Post-Google food

    Martí Guixé talks about Food Facility

    Martí Guixé is a notorious deconstructor of traditional reality. Among his many designs are a liquid piece of furniture consisting only of a puddle of gin and tonic, an ordinary green tape simulating...

  • Adilkno

    media theorists

    ADILKNO / BILWET (Foundation for the Advancement of Illegal Knowledge / Stichting tot Bevordering van Illegale Wetenschap ) was founded in 1983 as a collective of five artists/authors, Geert Lovink

  • Maurice Nio 1 Jan 2002

    Infect the Soft

    What is really wrong with euclidic geometry? Which objections can really be lodged against integers, straight lines and orthogonal structures? Why are mechanical and mechanistic principles put in the...

  • 1 Jan 2004

    Story Engines

    Over de instrumenten voor het bouwen van interactieve verhalen, 4 en 5 oktober 2004

    Er zijn vele verschillende instrumenten om interactieve online verhalen mee te maken. Het is moeilijk om een overzicht te krijgen van alle engines die beschikbaar zijn om interactieve vertellingen...

  • Noortje Marres, Richard Rogers 1 Jan 1999

    To Trace or to Rub

    Screening the Web Navigation Debate

    Ever since 'space' has become the ruling metaphor for the electronic realm, geographers have taken it upon themselves to plot the web. They have traded in their conventional tools and have begun...

  • Paul Groot 1 Jan 2004

    Gourmet Cycling Lady

    Long live the burqua

    About the longing for a Gourmet Cycling Lady clad in a Burqua. In five parts and a multicultural postscriptum.

  • 1 Jan 2003

    Jodi

    Joan Heemskerk and Dirk Paesmans

    Working together on the web under the common name of Jodi

  • 1 Jan 2004

    anyStory

    Workshop 26 en 27 augustus. Voor alle skeletten in je kast en alle roddels van de buurvrouw.

    anystory AnyStory is een Content Management System dat speciaal bedoeld is voor het maken van verhalensites. Het legt inhoudelijke verbanden tussen verschillende verhalen, waardoor een gebruiker...

  • Een openbare geheime dienst

    Een gesprek met Sasker Scheerder over veiligheid, vogelspinnen en Belgische rolluiken naar aanleiding van de tentoonstelling A Secret Service bij Mediamatic.

  • Adynda - or size does matter

    A review of the project by Young-hae Chang Heavy Industries

    A drive through the city center of Amsterdam, in which the passengers -a man and a woman- but especially the man - ponder upon the size and color of his reproductive organs. The size isn't right and...

  • Mediamatic Off-Line Vol. 11#2 Inge Willems

    Adynda or size does matter

    Young-hae Chang Heavy Industries

    A short road movie through Amsterdam in rhythmic blocks of text. Three protagonists: a nameless Asian man behind the wheel, a female concubine called Adynda and the illicit city of Amsterdam with its...

  • 1 Jan 2004

    Young-Hae Chang

    Heavy Industries

    Based in Seoul, South Korea, YOUNG-HAE CHANG HEAVY INDUSTRIES combines text with jazz to create Web-based New Media work. Young Hae Chang and Marc Voge strip away interactivity, graphics, photos

  • Frieling, Daniels

    Medien Kunst Netz 1/2

    Het onder redactie van Rudolf Frieling en Dieter Daniels uitgegeven tweedelige 'Medien Kunst Netz', beide in Duits en Engels, noemt zich in de ondertitel van deel 1, 'Medienkunst im Uberblick'.

  • Information Macht Krieg

    The emergence of electronic information war as a chance to marginalise the armed forces: this thought stands central in the review below. Reasoning from the idea that in order to carry out InfoWar

  • 1 Jan 2003

    Bilwet

    mediatheoretici

    Bilwet, stichting ter Bevordering van Illegale Wetenschap, is een collectief van vijf kunstenaars/schrijvers/theoretici: Geert Lovink, Arjen Mulder, Basjan van Stam, Lex Wouterloot en Patrice Riemens.

  • How Small Can Beat the Big

    An essay by phD student and thinglink.org founder Ulla-Maaria Mutanen, originally published in Platform21's Positive Alarm. Positive Alarm aims to turn a negative into a positive using art and...

  • Ingeborg Houwen 1 Jan 2001

    Diagram A Speech-in-Space Act 2

    Science Fiction Performance Drama (Part 3 of 5) Act 2 'de strooi al'

  • The mycelium inspiration

    On the website Everyone Forever has published the work of Ryan Alexander a graphic designer working, at least in this series, with the programming open source Processing

  • Ingeborg Houwen 1 Jan 2001

    Diagram A Speech-in-Space Act 1.2

    Science Fiction Performance Drama (Part 2 of 5)

  • Noortje Marres 1 Jan 1999

    Edge your Way through Orbital Debris!

    Orbital debris is defined as any man-made Earth-orbiting object which is non-functional with no reasonable expectation of assuming or resuming its intended function or another function for which it...

  • The Browser Is Dead; Long Live the Browser

    The myth of the graphical browser is that it can be used universally. This browser and no other brings the Web home to you as it's meant to be. But the Web has gotten big and meets a variety of needs...

created System Administrator modified Tanja Baudoin

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