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  • Rogier

  • Interaction
  • Ideology

  • WatSpinoza?

    Public discussion in Amsterdam, Kocaeli, online.

    WatSpinoza? ignites public discussion by asking questions based on Spinoza's writings. We formulated the questions together with writer/philosopher Dirk van Weelden, and post them in the public arena.

  • Chair of Sal(i)vation

    Beyond the secret act.

    Have you ever accidentally felt an old piece of gum underneath a chair while moving it? Or touched one with your knees underneath a table/desk? 
  • exhibition: Mediamatic Biotoop Dijkspark Teun Castelein

    Rederij Lampedusa

    11
    Sep 2015
    - Refugee boat in recreational boating

    Amsterdam has a new shipping company; Rederij Lampedusa, located in the harbor of Mediamatic. The shipping company consists of a fleet of two North African boats, which were used by refugees to cross...

  • Another Futurist Dinner?

    Neo-Futurist Dinners is a new programme line at Mediamatic, in which the world of food, art and science are brought together. During these gastronomical experiences, you will be engulfed in a multi
  • 1 Jan 2005

    What are the Issues Covered

    @ the Interactive Narration Workshops?

    In each Workshop we view the Possibilities and Difficulties surrounding Interactive Narration from the Perspective of the Participants' Discipline.
  • Mediamatic Off-Line Vol.10#2 Dirk Van Weelden 1 Jan 2001

    Annunziazione

    The subject of Davolio's cd-rom Annunciation is historical: namely the Brigate Rosse's kidnap and execution of Aldo Moro, the chair of the Italian Christian Democratic Party, in the spring of 1978.
  • book: Peter Reichel 1 Jan 1991

    Der Schöne Schein des Dritten Reiches

  • Mediamatic Magazine Vol. 1#3 Marie-Adèle Rajandream 1 Jan 1987

    Travel in Light

    Travelling evokes numerous thoughts and feelings: often exciting because one is facing the unknown, because one thinks about the new destination, and recalls one's previous journeys. At the airport
  • Mediamatic Magazine Vol. 6#4 Geert Lovink 1 Jan 1992

    Stingelin, Scherer

    Martin Stingelin & Wolfgang Scherer, HardWar/SoftWar Krieg und Medien, Fink München 1991

    HardWar/SoftWar is the third volume containing the results of a study by the Kassel project Literature and Media Analysis (for a review of parts I and II see Mediamatic 6#1 ). After writing about the...

  • SAVE THE WORLD

    Door TINKEBELL. i.s.m. Mediamatic

    TINKEBELL. geeft met twaalf wereldverspreide interventies inzicht in situaties die kunnen ontstaan wanneer ons wereldbeeld in andere culturen wordt geplaatst. Hiermee stelt zij onze (hulp)norm ter...

  • ik TWIJFEL ja

    Postmodernisme is dood, leve het metamodernisme

    Over de bange meninglozen en de stoere stellingnemers die stelligheid verafschuwen. En dan de introductie van een woord dat jullie nog niet kennen.

  • Media make normal people like me ANGRY

    Actually, de Volkskrant had an exellent "comic war" analysis by green left MP Naima Azough. The image was put right above it. In all it's daemonising glory. A shouting islamic man in black religious...
  • Mediamatic Magazine Vol. 7#3/4 Jules Marshall 1 Jan 1994

    Global Brand War: Real or Phony?

    What's in a name? Until the 1980s, the question was the province of poets, philosophers and linguists, but by the end of the decade, it was firmly within the bailiwick of accountants and expensive...
  • magazine: Paul Foss 1 Jan 1981

    Art & Text

    One of the landmark contemporary art magazines of the 1980s and 1990s.
  • Mediamatic Magazine Vol. 1#2 Marie-Adèle Rajandream 1 Jan 1986

    Fluxus + Video

    Excessive motions, as for instance with dysenteria, which purge the system. -Low or high tide. -A substance which improves the joining of metals or other materials. By applying the above cited...
  • 1 Jan 2003

    Debra Solomon

    artist

    Debra Solomon (US/NL) creates experiential interventions aimed at breaking down the barriers between art and viewer. She is also a superfoodie and blogs at culiblog.org

  • Krakersmonument

    Jeremiah Day / SMBA in het kader van MyNameIsSpinoza

    In samenwerking met het Stedelijk Museum Bureau Amsterdam realiseert kunstenaar Jeremiah Day (VS, 1974) zijn concept voor ‘Krakersmonument’, een kustwerk in de openbare ruimte.

  • Infinitycity

    It was not the first time a body had turned up in a canal. A floater. Body of a male. Young. Twenties. No signs of assault. No signs of external injury. Obviously, there was the story of how he lost...

  • Been there, got the techie T-shirt

    Social RFID Hacker Camp 2009

    Hacker (dress) code update

  • Spinoza ontmoet Ronald McDonald

    Vrijheid van Meningsuiting versus Merkenrecht in de Publieke Ruimte

    Quirijn Meijnen, advocaat gespecialiseerd in merkenrecht, schreef over onze Spinoza posteractie op zijn blog: ‘Spinoza en de grenzen aan de bescherming van een bekend merk’ . Hij gaat hier onder...

  • New Cultural networks

    publication Stifo @Sandberg Masterclass

    INTRODUCTION STIFO@SANDBERG BOOK By Mieke Gerritzen and Ingrid van Tol The Stifo@Sandberg master class is an annually recurring workshop that tracks, fosters and deploys digital developments in the...
  • Mediamatic Biotoop Dijkspark Willem Velthoven

    History of Ginger / Anymeta / C-wolk

    14
    Jan 2022
    - Template event about website knowledge

    This is an example event. It is not in the Template CG so it will display without a banner/submenu and will find matching context outside existing CG's. The event is one of the examples in the...
  • Mediamatic Magazine Vol. 8#2/3 Laura Martz 1 Jan 1995

    Critical Art Ensemble

    The Electronic Disturbance

    This short series of essays from the New Autonomy series is a 'recombinant text' offering a theory of technological resistance in a world where power has moved into an invisible sphere. Critical Art...
  • Mediamatic Magazine Vol. 7#3/4 Arjen Mulder, Kristi van Riet 1 Jan 1994

    Uneconomic Art

    The exhibition Business Art in the Groninger Museum gave rise to the following reflections. A number of businesses were presented as works of art presenting themselves as businesses. The quality of...

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